First Post Regarding My Music Blog

 Aim of this blog is to document information found and learned during as l learn how to play the piano. Hopefully it will become a resource I can regularly refer to as I proceed along my music journey.

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In a Sentimental Mood Collected resources.

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  Good Muscore version … Kees Kramer. Ron Drotos comments on the subject…  https://keyboardimprov.com/the-jazz-pianists-ultimate-guide-to-the-real-book-table-of-contents/in-a-sentimental-mood-from-the-jazz-pianists-ultimate-guide-to-the-real-book/ Collected from  http://www.piano-keyboard-guide.com/key-of-d-flat.html https://pianowithwillie.com/in-a-sentimental-mood/ https://youtu.be/jBbPn4JmJik This tube link sound good. Some nice embellished melody. Chords In The Key Of D Minor What are the chords in the key of D minor?  We shall list triad chords and four note extended chords below in the key of D min. Roman numerals indicate each chord’s position relative to the scale. The  notes of the D minor natural scale  are: D E F G A Bb C Chords in natural minor keys follow the pattern,  minor diminished major minor minor major major . i –  D minor , D minor seventh (Dmin, Dmin7) iidim – E diminished, E minor seventh flat five (Edim, Em7b5) III –  ...
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Research on endings

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  https://www.pianogroove.com/jazz-piano-lessons/how-to-end-jazz-song/ Common Endings and the Basic Turnaround In this 5 minute masterclass we’re going talk about a few of the most common endings in jazz music. When we are in a situation like a jam session or a gig, it’s good to know few common ways to end the tune.  The Basic 251 Ending First we will talk about the basic 251 ending and how it is commonly used to end a tune. The 251 ending is found in the majority of jazz standards written in both major and minor keys.  To make an outro, we can play the 2 & 5 chords, but instead of going to 1 chords, we would play the 3 half diminished chord, then 6 dominant chord which takes us back to 2, then 5, and again 3 instead of 1. We can repeat this cycle as long as necessary, maybe have a little collective solo over it, until we cue the actual ending with the rest of the band.  Useful Jazz Endings To Know We will explore a few traditional endings in major key that are c...
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Term 2 Week 4

Major focus this month: Rhythm and Timing.  Bossa Nova Comping: --> before playing this, in fact every piece, develop the habit of counting in . This will set the tempo and set me up for a strong groove. - record myself doing this to see if i can hear the tempo stay steady or if i tend to speed up/slow down! It Could Happen To You Chet Solo:  https://www.youtube.com/watch?v=iSkHz5trdhc -> using this piece to develop a focus timing and fingering and an intro to scat singing. -    play along with the recording when timing and fingering is down. --> Settings - Play Back Speed - 0.75 -    sing along with Chet too without playing! This is a great solo to get in my head and this will ultimately help my rhythm. Blue Bossa: Focussing on the beat 1 of the melody - RH only --> play along with Ireal! --> turn drums up in preference to the click. This helps lock in the groove. Next time:  - Try thinking or singing the melody while doing the bossa c...
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