Notes for Allison

 Hi Allison, here are two images. The first, to answer your question; is maj 251 with maj 9’s rootless voicing. The second I thought might interest you also, it shows where I am using anticipation. Well to be more exact, there I have been shown to use anticipation. .

1. Rootless Voicing. 

Used to: create a fuller more enjoyable sound. 

Where can it be used?: anywhere you see a 251

How it’s made: 

You will notice this 251 is bar 9 thru 11 of Blue Bossa.

Ebm9 is made by playing in the right hand, Ebm7 without the root, then adding the 9th on top. Which in this case is f. It sounds great. It sounds even better when you play the root in the left hand, particularly when it is played well to the left of the keyboard. Even two octaves.

Ab13 is chosen because there is only one note to change, the Db is dropped one semitone to the C. 

Db maj9 is made the same way as the Eb min. Drop the root and play the 9th on top.

I will play these voicing in a Bossa Nova Comping pattern. I will also try to incorporate them in practice around the Circle of 5ths. Wish me luck on that.


2. Anticipation. 

In the chart, the red circle shows an alternative option as to where to play the chord. In some cases the chord is played early, Try playing the chord as indicated by the red circled note and chord. In some cases it’s played as written, others, it’s played early in anticipation. It sounds great.





Clunky playing for Blue Bossa with chord anticipation. https://youtu.be/2FMeer1utmc



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